Midas Venice 240

Input Impedance: Mic – 2k Balanced, Line: 20k Balanced
Input Gain: Mic – Continuously variable from 0dB to + 60dB, Line Mono Channel – Continuously variable from- 20dB to + 40dB, Line Stereo Channel – Continuously variable from- 20dB to + 20dB, Line Level Inputs – 0dB
Maximum Input Level: Mic: + 22dBu, Line Level Inputs: + 22dBu, Line Mono Channel + 42dBu, Line Stereo Channel + 28dBu
CMR at 100Hz: Mic (gain + 40dB) Typ. 75dB
CMR at 1kHz: Mic (gain + 40dB) > 85dB, Line > 45dB
Frequency Response (20 to 20kHz)(gain + 60dB): Mic to Mix: + 0dB to – 1dB
Noise (20 to 20kHz) (gain + 60dB): Mic EIN ref. 150ohms: – 129dBu
System Noise (20 to 20kHz): Summing Noise (16 channels routed with faders down) – 90dBu; Line to Mix Noise (16 channels routed at 0dB, pan centre) – 86dBu
Distortion at 1kHz: Mic to Insert (+ 30dB gain, + 20dBu output) – Typ 0.0007%, Mic to Mix (+30dB gain, + 20dBu output) – < 0.009%
Crosstalk at 1kHz: Channel to Channel < – 80dB, Mix to Mix < – 80dB, Channel to Mix < – 80dB, Fader Attenuation > 100dB, Switch Rejection > 100dB
Output Impedance: All Line Outputs – 75 Ohms Balanced Source, Headphones – To drive 32 Ohms
Maximum Output Level: Master Outputs on XLR: + 25dBu, All other Outputs on XLR: + 22dBu, All Outputs on 1/4 inch jacks :+ 22dBu
Headphones: + 22dBu/600ohms
Nominal Signal Level: Mic – 60dBu to 0 dBu; Line 0dBu